Monday, March 30, 2009

Knobs:

Sometimes I feel like this:


A fireman arrives at the scene of a house on fire. He busts the front door down and does a quick search for anyone inside and finds that no one was home, at which point he decides to do his best to isolate the fire by moving furniture and removing air flow. When he's done all he can inside, the fireman lays out his hose and hooks it up to the nearest hydrant and prepares to fight the fire, confident that he can minimize the damage. But when he goes to turn on the water, the valve knob which should be as easy to operate as a kitchen sink faucet just won't budge. He uses whatever leverage he can find to turn it, but his attempts are useless. So, he plops down on the ground and watches the house burn...

Friday, March 27, 2009

Spaces:

As of late, I have been almost exclusively been listening to classical and country music. My ties to classical music and thoughts on it have been somewhat discussed in past posts, so you're welcome to browse through those as you please. It's nice to listen to when I go to bed because it's comparitively abstract.

I've changed my default car radio station to the local country station, which is a pretty sharp contrast to the hip hop station it used to be sitting on. Back in the day, around my sophomore year of high school, I picked up listening to country music mainly because I was intrigued by the fiddle/violin interludes. I stuck with it for a couple of years up until my sophomore year of college when my music tastes were less compatible and not so easily shared.

There are a couple of things about country music. The lyrics are simple and easy to understand, though I don't think there is necessarily any loss of meaning (one can be equally convicted whether it's through a commandment or a parable). The rhythmic meter, chorus/verse structure, and instrumental sounds are all very standard and traditional, so while the music is not very innovative it certainly can be described as comfortable. Also, it seems like it's a smaller genre where there aren't very many hits and the same songs are circulated over and over, alternated with classic hits from the past ten years.

No conclusion to be drawn from any of that. Just- when it's nice enough out to have your windows rolled down and you find some wide open roads- go ahead and try blasting some country and you'll probably feel better.

Tuesday, March 10, 2009

Penance:

Lessons in missing the point. I've always liked this phrase, though I don't really know what it means or where it came from. I guess the way I interpret it is that there is a lot to learn from being oblivious. Like how people are concerned with the radiation emitted by cell phones while the Sun's radiation does 100 times the damage to our bodies- some things are inescapable so why worry about it? Another train of thought that runs parallel as a lesson- motives without goals. When I can identify a motive without a goal I realize that I've probably missed the point. Example- "I work hard so that I can get a promotion. I get a promotion so that I can get paid more. I get paid more so that I can afford... What do I really need to buy again?" Or- "I spend time with this person so that I can get to know them better. I get to know them better so that we can be closer. I get closer to them so that we can form a relationship... Wait, is this someone who actually makes me happy?". Do you get the picture of this exercise?

Thursday, March 05, 2009

Genome:

I stumbled upon this podcast last night:

http://blog.pandora.com/podcast/

Each episode discusses a different aspect of music and picks it apart. The guests provide musical examples for each point so that it is very easy to understand what they are talking about. It's absolutely fascinating to me, and I'd recommend it to anyone who is a music nerd. Maybe start with "Meters and Time Signatures" or "Synthesis".